Sunday, October 27, 2019

Review: The Heart of Betrayal by Mary E. Pearson


πšƒπš‘πšŽ π™·πšŽπšŠπš›πš 𝚘𝚏 π™±πšŽπšπš›πšŠπš’πšŠπš•
π™ΌπšŠπš›πš’ 𝙴. π™ΏπšŽπšŠπš›πšœπš˜πš—

πš‚πšŽπš›πš’πšŽπšœ: πšƒπš‘πšŽ πšπšŽπš–πš—πšŠπš—πš π™²πš‘πš›πš˜πš—πš’πšŒπš•πšŽπšœ
π™ΆπšŽπš—πš›πšŽ: π™΅πšŠπš—πšπšŠπšœπš’, πšˆπš˜πšžπš—πš π™°πšπšžπš•πš
π™»πšŽπš—πšπšπš‘: πŸΊπŸ½πŸΉ πš™πšŠπšπšŽπšœ
πš‚πš’πš—πš˜πš™πšœπš’πšœ π™΅πš›πš˜πš– π™Άπš˜πš˜πšπš›πšŽπšŠπšπšœ:
π™·πšŽπš•πš πšŒπšŠπš™πšπš’πšŸπšŽ πš’πš— πšπš‘πšŽ πš‹πšŠπš›πš‹πšŠπš›πš’πšŠπš— πš”πš’πš—πšπšπš˜πš– 𝚘𝚏 πš…πšŽπš—πšπšŠ, π™»πš’πšŠ πšŠπš—πš 𝚁𝚊𝚏𝚎 πš‘πšŠπšŸπšŽ πš•πš’πšπšπš•πšŽ πšŒπš‘πšŠπš—πšŒπšŽ 𝚘𝚏 πšŽπšœπšŒπšŠπš™πšŽ. π™³πšŽπšœπš™πšŽπš›πšŠπšπšŽ 𝚝𝚘 𝚜𝚊𝚟𝚎 π™»πš’πšŠ'𝚜 πš•πš’πšπšŽ, πš‘πšŽπš› πšŽπš›πšœπšπš πš‘πš’πš•πšŽ πšŠπšœπšœπšŠπšœπšœπš’πš—, π™ΊπšŠπšπšŽπš—, πš‘πšŠπšœ πšπš˜πš•πš πšπš‘πšŽ πš…πšŽπš—πšπšŠπš— π™Ίπš˜πš–πš’πš£πšŠπš› πšπš‘πšŠπš πšœπš‘πšŽ πš‘πšŠπšœ πšπš‘πšŽ πšπš’πšπš, πšŠπš—πš πšπš‘πšŽ π™Ίπš˜πš–πš’πš£πšŠπš›'𝚜 πš’πš—πšπšŽπš›πšŽπšœπš πš’πš— π™»πš’πšŠ πš’πšœ πšπš›πšŽπšŠπšπšŽπš› πšπš‘πšŠπš— πšŠπš—πš’πš˜πš—πšŽ πšŒπš˜πšžπš•πš πš‘πšŠπšŸπšŽ πšπš˜πš›πšŽπšœπšŽπšŽπš—. 

π™ΌπšŽπšŠπš—πš πš‘πš’πš•πšŽ, πš—πš˜πšπš‘πš’πš—πš πš’πšœ πšœπšπš›πšŠπš’πšπš‘πšπšπš˜πš›πš πšŠπš›πš: πšƒπš‘πšŽπš›πšŽ'𝚜 𝚁𝚊𝚏𝚎, πš πš‘πš˜ πš•πš’πšŽπš 𝚝𝚘 π™»πš’πšŠ πš‹πšžπš πš‘πšŠπšœ πšœπšŠπšŒπš›πš’πšπš’πšŒπšŽπš πš‘πš’πšœ πšπš›πšŽπšŽπšπš˜πš– 𝚝𝚘 πš™πš›πš˜πšπšŽπšŒπš πš‘πšŽπš›; π™ΊπšŠπšπšŽπš—, πš πš‘πš˜ πš–πšŽπšŠπš—πš 𝚝𝚘 πšŠπšœπšœπšŠπšœπšœπš’πš—πšŠπšπšŽ πš‘πšŽπš› πš‹πšžπš πš‘πšŠπšœ πš—πš˜πš  𝚜𝚊𝚟𝚎𝚍 πš‘πšŽπš› πš•πš’πšπšŽ; πšŠπš—πš πšπš‘πšŽ πš…πšŽπš—πšπšŠπš—πšœ, πš πš‘πš˜πš– π™»πš’πšŠ πšŠπš•πš πšŠπš’πšœ πš‹πšŽπš•πš’πšŽπšŸπšŽπš 𝚝𝚘 πš‹πšŽ 𝚜𝚊𝚟𝚊𝚐𝚎𝚜. π™½πš˜πš  πšπš‘πšŠπš πšœπš‘πšŽ πš•πš’πšŸπšŽπšœ πšŠπš–πš˜πš—πš πšπš‘πšŽπš–, πš‘πš˜πš πšŽπšŸπšŽπš›, πšœπš‘πšŽ πš›πšŽπšŠπš•πš’πš£πšŽπšœ πšπš‘πšŠπš πš–πšŠπš’ πš‹πšŽ πšπšŠπš› πšπš›πš˜πš– πšπš‘πšŽ πšπš›πšžπšπš‘. πš†πš›πšŽπšœπšπš•πš’πš—πš πš πš’πšπš‘ πš‘πšŽπš› πšžπš™πš‹πš›πš’πš—πšπš’πš—πš, πš‘πšŽπš› πšπš’πšπš, πšŠπš—πš πš‘πšŽπš› πšœπšŽπš—πšœπšŽ 𝚘𝚏 πšœπšŽπš•πš, π™»πš’πšŠ πš–πšžπšœπš πš–πšŠπš”πšŽ πš™πš˜πš πšŽπš›πšπšžπš• πšŒπš‘πš˜πš’πšŒπšŽπšœ πšπš‘πšŠπš πš πš’πš•πš• 𝚊𝚏𝚏𝚎𝚌𝚝 πš‘πšŽπš› πšŒπš˜πšžπš—πšπš›πš’... πšŠπš—πš πš‘πšŽπš› πš˜πš πš— πšπšŽπšœπšπš’πš—πš’.



π™Όπš’ πšπšŽπšŸπš’πšŽπš : 
πšπšŠπšπš’πš—πš:
★★★★


***π™²πšŠπšžπšπš’πš˜πš— π™ΌπšŠπš’ π™²πš˜πš—πšπšŠπš’πš— πš‚πš™πš˜πš’πš•πšŽπš›πšœ***

π™ΌπšŠπš›πš’ 𝙴. π™ΏπšŽπšŠπš›πšœπš˜πš— πš‘πšŠπšœ πšπš˜πš—πšŽ πš’πš πšŠπšπšŠπš’πš—, πš πšŽπšŠπšŸπš’πš—πš πšπš˜πšπšŽπšπš‘πšŽπš› πšπš‘πš’πšœ πšŒπšŠπš™πšπš’πšŸπšŠπšπš’πš—πš πšπšŠπš•πšŽ 𝚘𝚏 𝚊 πš—πš˜πš  πšŠπš‹πšπšžπšŒπšπšŽπš πš™πš›πš’πš—πšŒπšŽπšœπšœ πš πš’πšπš‘ 𝚊 πšπšŽπšœπšπš’πš—πš’ πšπšŠπš› πšπš›πšŽπšŠπšπšŽπš› πšπš‘πšŠπš— πšœπš‘πšŽ πšŒπš˜πšžπš•πš πšŽπšŸπšŽπš› πš’πš–πšŠπšπš’πš—πšŽ.

πšƒπš‘πšŽ π™·πšŽπšŠπš›πš 𝚘𝚏 π™±πšŽπšπš›πšŠπš’πšŠπš• πš™πš’πšŒπš”πšœ πšžπš™ πš›πš’πšπš‘πš πš πš‘πšŽπš›πšŽ πšƒπš‘πšŽ π™Ίπš’πšœπšœ 𝚘𝚏 π™³πšŽπšŒπšŽπš™πšπš’πš˜πš— πš•πšŽπšŠπšŸπšŽπšœ 𝚞𝚜 πš πš’πšπš‘ π™»πš’πšŠ, 𝚁𝚊𝚏𝚎 πšŠπš—πš π™ΊπšŠπšπšŽπš— πšŽπš—πšπšŽπš›πš’πš—πš πšπš‘πšŽ π™Ίπš’πš—πšπšπš˜πš– 𝚘𝚏 πš…πšŽπš—πšπšŠ. π™»πš’πšŠ πšπš’πš—πšπšœ πš‘πšŽπš›πšœπšŽπš•πš πšπš›πšŠπš™πš™πšŽπš πš‹πšŽπš‘πš’πš—πš πšπš‘πšŽ πš πšŠπš•πš•πšœ 𝚘𝚏 πš…πšŽπš—πšπšŠ, πš πš’πšπš‘ πš—πš˜πš πš‘πšŽπš›πšŽ 𝚝𝚘 𝚐𝚘, πš™πš›πš’πšœπš˜πš—πšŽπš› 𝚝𝚘 πšπš‘πšŽ πš”πš’πš—πšπšπš˜πš– πšŠπš—πš πš’πšπšœ π™Ίπš˜πš–πš’πš£πšŠπš›. πšƒπš‘πšŽ πšŒπš’πšπš’ πš’πšœ 𝚊 πšπš˜πš›πšπš›πšŽπšœπšœ πš πš’πšπš‘ πš—πš˜ πš˜πš‹πšŸπš’πš˜πšžπšœ πš–πšŽπšŠπš—πšœ 𝚘𝚏 πšŽπšœπšŒπšŠπš™πšŽ πšŠπš—πš πš›πš’πšπš‘πš πš—πš˜πš  πšπš‘πšŠπš πš’πšœ π™»πš’πšŠ'𝚜 πš˜πš—πšŽ πšŠπš—πš πš˜πš—πš•πš’ πšπš˜πšŠπš•. π™·πš˜πš πšŽπšŸπšŽπš›, 𝚊𝚜 πšπš‘πšŽ 𝚍𝚊𝚒𝚜 πšœπšπš›πšŽπšπšŒπš‘ πš˜πš— πš‘πšŽπš› πš‘πš˜πš™πšŽπšœ 𝚘𝚏 πš›πšŽπšπšžπš›πš—πš’πš—πš πš‘πš˜πš–πšŽ πšπš πš’πš—πšπš•πšŽ. π™±πšžπš πš’πš'𝚜 πš—πš˜πš πš˜πš—πš•πš’ πš‘πšŽπš› πš•πš’πšπšŽ πš˜πš— πšπš‘πšŽ πš•πš’πš—πšŽ, 𝚁𝚊𝚏𝚎 πš‘πšŠπšœ πš–πšŠπš—πšŠπšπšŽ 𝚝𝚘 πšπš’πš—πš πš‘πš’πšœ 𝚠𝚊𝚒 πš’πš—πšπš˜ πšπš‘πšŽ πš‘πšŠπš—πšπšœ 𝚘𝚏 πšπš‘πšŽ πš…πšŽπš—πšπšŠπš—πšœ 𝚊𝚜 πš πšŽπš•πš•. π™±πš˜πšπš‘ πš™πš›πš’πšœπš˜πš—πšŽπš›πšœ πšŠπš πšŠπš’πšπš’πš—πš πšŠπš—πš πšŒπš˜πš—πšœπš™πš’πš›πš’πš—πš 𝚊 𝚠𝚊𝚒 𝚘𝚞𝚝 𝚘𝚏 πšπš‘πš’πšœ πš‹πšŠπš›πš‹πšŠπš›πš’πšŒ πšŒπš’πšπš’.

π™°πšœ πšπš’πš–πšŽ πš™πšŠπšœπšœπšŽπšœ, π™»πš’πšŠ πš’πšœ πšπš›πšŠπš—πšπšŽπš πš–πš˜πš›πšŽ πšπš›πšŽπšŽπšπš˜πš–, πš—πš˜ πš•πš˜πš—πšπšŽπš› 𝚊 πš™πš›πš’πšœπš˜πš—πšŽπš› πš‹πšžπš 𝚊 πš πšŽπšŠπš™πš˜πš— 𝚝𝚘 πš‹πšŽ 𝚞𝚜𝚎𝚍 𝚊𝚜 πšπš‘πšŽ π™Ίπš˜πš–πš’πš£πšŠπš› 𝚜𝚎𝚎𝚜 πšπš’πš. πš†πš’πšπš‘ πš‘πšŽπš› πš—πšŽπš  πšπš˜πšžπš—πš πšπš›πšŽπšŽπšπš˜πš– π™»πš’πšŠ πšπš’πšœπšŒπš˜πšŸπšŽπš›πšœ πšπš‘πšŠπš πš—πš˜πš πšŠπš•πš• πš’πšœ 𝚊𝚜 πš’πš πšœπšŽπšŽπš–πšœ πš’πš— πš…πšŽπš—πšπšŠ. πš‚πšžπš›πšŽ πšπš‘πšŽπš›πšŽ πšŠπš›πšŽ πš‹πš›πšžπšπšŠπš• πš‹πšŠπš›πš‹πšŠπš›πš’πšŠπš—πšœ πš‹πšžπš πš–πšŠπš—πš’ 𝚘𝚏 πšπš‘πšŽπšœπšŽ πš™πš˜πš˜πš› πšœπš˜πšžπš•πšœ πšŠπš›πšŽ πšœπšπšŠπš›πšŸπš’πš—πš πšŒπš’πšπš’πš£πšŽπš—πšœ πš‘πš˜πš•πšπš’πš—πš πš˜πš—πšπš˜ 𝚊 πšπš’πšœπšπšŠπš—πš πšœπšπš˜πš›πš’ πš˜πš—πšŒπšŽ πšπš˜πš•πš πš‹πš’ πš€πšžπšŽπšŽπš— πš…πšŽπš—πšπšŠ πš‘πšŽπš›πšœπšŽπš•πš. 𝙰 πš™πš›πš˜πš™πš‘πšŽπšπš’πšŒ πšœπš˜πš—πš πšπš‘πšŠπš πšπšŽπšπšŠπš’πš•πšŽπš πšπš‘πšŽ πšŠπš›πš›πš’πšŸπšŠπš• 𝚘𝚏 𝚊 πšπš’πš›πš• πšπš‘πšŠπš πš πš˜πšžπš•πš πš˜πš—πšŒπšŽ πšŠπšπšŠπš’πš— πšœπš™πšŠπš›πš” πš‘πš˜πš™πšŽ πšŠπš–πš˜πš—πš πšπš‘πšŽ πš”πš’πš—πšπšπš˜πš–πšœ. πšƒπš‘πš›πš˜πšžπšπš‘ πšπš‘πšŽπšœπšŽ πšπšŠπš•πšŽπšœ πšŠπš—πš πšœπšžπš™πšŽπš›πšœπšπš’πšπš’πš˜πšžπšœ πš™πšŽπš˜πš™πš•πšŽ π™»πš’πšŠ πšπšŠπš’πš—πšœ πš™πš˜πš πšŽπš› πšŠπš—πš πš’πšœ πš πšŽπš•πšŒπš˜πš–πšŽπš πš‹πš’ πš–πšŠπš—πš’ πšŒπš’πšπš’πš£πšŽπš—πšœ.

πšƒπš‘πšŠπš—πš”πšœ 𝚝𝚘 πš‘πšŽπš› πšπšŽπšŸπšŽπš•πš˜πš™πš’πš—πš πš™πš˜πš πšŽπš› πšŠπš–πš˜πš—πš πšπš‘πšŽ πšŒπš•πšŠπš—πšœ, πšœπš‘πšŽ πšπšŠπš’πš—πšœ πšπš‘πšŽ 𝚎𝚒𝚎 𝚘𝚏 πšπš‘πšŽ π™Ίπš˜πš–πš’πš£πšŠπš› πšŠπš—πš πš—πš˜πš πš’πš— πšπš‘πšŽ πš‹πšŽπšœπš 𝚘𝚏 𝚠𝚊𝚒𝚜. πšƒπš‘πšŽ π™Ίπš˜πš–πš’πš£πšŠπš› 𝚍𝚘𝚎𝚜 πš—πš˜πš πš•πš’πš”πšŽ 𝚝𝚘 πšœπš‘πšŠπš›πšŽ πš‘πš’πšœ πš™πš˜πš πšŽπš› πšŠπš—πš πš πš’πšπš‘ π™»πš’πšŠ πš‘πšŽ πšŒπšŠπš— 𝚜𝚎𝚎 πš‘πš’πšœ πš‘πš˜πš•πš πš˜πš— πšπš‘πšŽ πš”πš’πš—πšπšπš˜πš– πšœπš•πš’πš™πš™πš’πš—πš. πš‚πš˜ πšπš‘πšŽ π™Ίπš˜πš–πš’πš£πšŠπš› πšπšŽπšŸπš’πšœπšŽπšœ πšŠπš—πš πšπšŽπšŸπš’πš˜πšžπšœ πš™πš•πšŠπš— 𝚝𝚘 πš–πšŠπš”πšŽ π™»πš’πšŠ πš‘πš’πšœ πššπšžπšŽπšŽπš—. π™»πš’πšŠ πšπš’πš—πšπšœ πš‘πšŽπš›πšœπšŽπš•πš πš’πš— πšπš‘πšŽ πšœπšŠπš–πšŽ πš™πš›πšŽπšπš’πšŒπšŠπš–πšŽπš—πš πšπš‘πšŠπš πšœπš‘πšŽ πš›πšŠπš— πšπš›πš˜πš– πšŠπš•πš• πšπš‘πš˜πšœπšŽ πš–πš˜πš—πšπš‘πšœ 𝚊𝚐𝚘. π™°πš—πš˜πšπš‘πšŽπš› πš–πšŠπš›πš›πš’πšŠπšπšŽ πš’πšœ πšπš˜πš›πšŒπšŽπš πš˜πš— πš‘πšŽπš›, πš˜πš—πšŒπšŽ πšŠπšπšŠπš’πš— πš‘πšŽπš› πšŒπš‘πš˜πš’πšŒπšŽπšœ πšŠπš›πšŽ πš‹πšŽπš’πš—πš πšπšŠπš”πšŽπš— πšπš›πš˜πš– πš‘πšŽπš› πšŠπš—πš πšœπš‘πšŽ πš’πšœ 𝚊 πš™πšŠπš πš— πš’πš— πšœπš˜πš–πšŽπš˜πš—πšŽ πšŽπš•πšœπšŽ'𝚜 πš πšŠπš›. π™·πšŽπš› πš˜πš—πš•πš’ πš‘πš˜πš™πšŽ πš—πš˜πš  πš’πšœ 𝚝𝚘 πšŽπšœπšŒπšŠπš™πšŽ 𝚊𝚝 πšŠπš—πš’ πš–πšŽπšŠπš—πšœ πš™πš˜πšœπšœπš’πš‹πš•πšŽ.

π™°πšœ πšπš‘πšŽ πšœπšπš˜πš›πš’ πš™πš›πš˜πšπš›πšŽπšœπšœπšŽπšœ, 𝚁𝚊𝚏𝚎 πšŠπš—πš π™»πš’πšŠ'𝚜 πšŒπš˜πš—πš—πšŽπšŒπšπš’πš˜πš— πšπšŽπšŽπš™πšŽπš—πšœ πš πš’πšπš‘ πšœπšŽπšŒπš›πšŽπš πš–πšŽπšŽπšπš’πš—πšπšœ πšŠπš—πš πš‘πšžπšœπš‘πšŽπš πš πš‘πš’πšœπš™πšŽπš›πšœ. πš‚πšŽπšŒπš›πšŽπš πš›πšŽπš—πšπšŽπš£πšŸπš˜πšžπšœ 𝚝𝚘 πš™πš•πšŠπš— 𝚘𝚞𝚝 πšπš‘πšŽπš’πš› πšŽπšœπšŒπšŠπš™πšŽ, πšπš‘πšŽπš’πš› πš•πš˜πšŸπšŽ πšπš›πš˜πš πš’πš—πš πš πš’πšπš‘ πšŽπšŸπšŽπš›πš’ πš–πšŽπšŽπšπš’πš—πš πšŠπš—πš πšŽπšŸπšŽπš›πš’ πš”πš’πšœπšœ. πš†πš‘πš’πšŒπš‘ πšπš˜πš› πš–πšŽ 𝚠𝚊𝚜 𝚊 πš‹πš’πš πšžπš—πšπš˜πš›πšπšžπš—πšŠπšπšŽ, 𝙸 πš—πšŽπšŸπšŽπš› πš›πš˜πš˜πšπšŽπš πšπš˜πš› 𝚁𝚊𝚏𝚎. π™΄πšŸπšŽπš— πšπš‘πš˜πšžπšπš‘ πš’πš 𝚠𝚊𝚜 πšπšŠπš’πš›πš•πš’ πš˜πš‹πšŸπš’πš˜πšžπšœ πš πš‘πš˜ π™»πš’πšŠ πš•πš˜πšŸπšŽπš 𝙸 πšŠπš•πš πšŠπš’πšœ πš‘πšŽπš•πš 𝚘𝚞𝚝 πš‘πš˜πš™πšŽ πšπš˜πš› πš™πš˜πš˜πš› π™ΊπšŠπšπšŽπš—.

“𝙸 πš πš’πšœπš‘πšŽπš πšπš‘πšŠπš πš•πš˜πšŸπšŽ πšŒπš˜πšžπš•πš πš‹πšŽ πšœπš’πš–πš™πš•πšŽ, πšπš‘πšŠπš πš’πš 𝚠𝚊𝚜 πšŠπš•πš πšŠπš’πšœ πšπš’πšŸπšŽπš— πšŠπš—πš πš›πšŽπšπšžπš›πš—πšŽπš πš’πš— πšπš‘πšŽ πšœπšŠπš–πšŽ πš–πšŽπšŠπšœπšžπš›πšŽ, πšŽπššπšžπšŠπš•πš•πš’ πšŠπš—πš 𝚊𝚝 πšπš‘πšŽ πšœπšŠπš–πšŽ πšπš’πš–πšŽ, πšπš‘πšŠπš πšŠπš•πš• πšπš‘πšŽ πš™πš•πšŠπš—πšŽπšπšœ πšŠπš•πš’πšπš—πšŽπš πš’πš— 𝚊 πš™πšŽπš›πšπšŽπšŒπš 𝚠𝚊𝚒 𝚝𝚘 πšπš’πšœπš™πšŽπš• πšŠπš•πš• πšπš˜πšžπš‹πšπšœ, πšπš‘πšŠπš πš’πš 𝚠𝚊𝚜 𝚎𝚊𝚜𝚒 𝚝𝚘 πšžπš—πšπšŽπš›πšœπšπšŠπš—πš πšŠπš—πš πš—πšŽπšŸπšŽπš› πš™πšŠπš’πš—πšπšžπš•.”

π™ΊπšŠπšπšŽπš— πšπšŽπšπš’πš—πš’πšπšŽπš•πš’ πš πš˜πšžπš•πš πš‘πšŠπšŸπšŽ πš‹πšŽπšŽπš— πš–πš’ πšŒπš‘πš˜πš’πšŒπšŽ, πšπš‘πš’πšœ πšœπšπš˜πš—πšŽ πšŒπš˜πš•πš π™°πšœπšœπšŠπšœπšœπš’πšŠπš— πš πš’πšπš‘ 𝚊 πš•πš˜πšŸπš’πš—πš πšπšŽπš—πšπšŽπš› πš‘πšŽπšŠπš›πš πšπš˜πš› πš˜πš—πšŽ πšπš’πš›πš•. 𝙸 πš‘πšŠπš πš‘πš˜πš™πšŽπš πšπš‘πšŽπš’πš› πšŒπš˜πš—πš—πšŽπšŒπšπš’πš˜πš— πš πš˜πšžπš•πš πšπšŽπšŽπš™πšŽπš— 𝚊𝚜 πšπš‘πšŽπš’ πšœπš™πšŽπš—πš πš–πš˜πš›πšŽ πšπš’πš–πšŽ πšπš˜πšπšŽπšπš‘πšŽπš›, πš‹πšžπš πšžπš—πšπš˜πš›πšπšžπš—πšŠπšπšŽπš•πš’ πš’πš πšœπšŽπšŽπš–πšŽπš 𝚊𝚜 πšπš‘πš˜πšžπšπš‘ πšπš‘πšŽπš’ πš‘πšŠπš πšŸπšŽπš›πš’ πš•πš’πšπšπš•πšŽ πš–πš˜πš–πšŽπš—πšπšœ πšπš˜πšπšŽπšπš‘πšŽπš›. πšƒπš‘πš›πš˜πšžπšπš‘ πšœπš˜πš–πšŽ πšπšŽπš—πšπšŽπš› πš–πš˜πš–πšŽπš—πšπšœ πšœπš™πš›πšŽπšŠπš πš‘πšŽπš›πšŽ πšŠπš—πš πšπš‘πšŽπš›πšŽ 𝚠𝚎 πšπš’πšœπšŒπš˜πšŸπšŽπš› π™ΊπšŠπšπšŽπš—'𝚜 πšœπšŽπšŒπš›πšŽπšπšœ πšŠπš—πš πšπš‘πšŠπš πš…πšŽπš—πšπšŠ πš’πšœπš—'𝚝 πšπš‘πšŽ πš˜πš—πš•πš’ πš”πš’πš—πšπšπš˜πš– 𝚝𝚘 πš‘πš˜πšžπšœπšŽ πš‹πšŠπš›πš‹πšŠπš›πš’πšŠπš—πšœ. πš‚πšŠπšπš•πš’, πšπš‘πšŽ πš•πš˜πšŸπšŽ πš‹πšŽπšπš πšŽπšŽπš— πšπš‘πšŽπš– πš’πšœ πš˜πš—πšŽ πšœπš’πšπšŽπš πšŠπš—πš π™»πš’πšŠ πš’πšœ πšŒπš˜πš—πšœπšπšŠπš—πšπš•πš’ πšπšŽπšŒπšŽπš’πšŸπš’πš—πš π™ΊπšŠπšπšŽπš— πšŠπš—πš πšŸπš’πšŒπšŽ-𝚊-πšŸπšŽπš›πšœπšŠ. πšƒπš‘πšŽ πšœπšŽπšŒπš›πšŽπšπšœ πšŠπš—πš πšπšŽπšŒπšŽπš™πšπš’πš˜πš—πšœ πšπš›πš˜πš  πš‹πšŽπšπš πšŽπšŽπš— πšπš‘πšŽπš– 𝚊𝚜 πšπš‘πšŽπš’ πšπš›πš’ 𝚝𝚘 πš™πš›πš˜πšπšŽπšŒπš πš˜πš—πšŽ πšŠπš—πš˜πšπš‘πšŽπš›. πš†πš‘πš˜ πš πš˜πšžπš•πšπš—'𝚝 πšœπš‘πš’πš™ πšπš‘πšŽπšœπšŽ 𝚝𝚠𝚘?

π™Έπš πšπš˜πš˜πš” πš–πšŽ πšœπš˜πš–πšŽ πšπš’πš–πšŽ 𝚝𝚘 πš›πšŽπšŠπš•πš•πš’ πšœπš’πš—πš” πš’πš—πšπš˜ πšƒπš‘πšŽ π™·πšŽπšŠπš›πš 𝚘𝚏 π™±πšŽπšπš›πšŠπš’πšŠπš•. π™³πš˜πš—'𝚝 𝚐𝚎𝚝 πš–πšŽ πš πš›πš˜πš—πš πšπš‘πšŽ πš πš›πš’πšπš’πš—πš 𝚠𝚊𝚜 πš‹πšŽπšŠπšžπšπš’πšπšžπš• πšŠπš—πš πšŒπšŠπš™πšπš’πšŸπšŠπšπš’πš—πš. πšƒπš‘πšŽ πš πš˜πš›πšπšœ πš“πšžπš–πš™πšŽπš πšπš›πš˜πš– πšπš‘πšŽ πš™πšŠπšπšŽ πšπš›πšŠπš—πšœπš™πš˜πš›πšπš’πš—πš πš–πšŽ πš’πš—πšπš˜ πšπš‘πšŽ πš‹πšŠπš›πš‹πšŠπš›πš’πšŠπš— πš”πš’πš—πšπšπš˜πš–, πš…πšŽπš—πšπšŠ. π™Έπš πš‹πš›πš˜πšžπšπš‘πš 𝚝𝚘 πš•πš’πšπšŽ πšπš‘πš’πšœ πš πš˜πš›πš•πš 𝚘𝚏 πš‹πšŠπš›πš‹πšŠπš›πš’πšŠπš—πšœ πšŠπš—πš 𝚜𝚊𝚟𝚊𝚐𝚎𝚜. πšƒπš‘πšŽ πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš›πšœ πšŠπš›πšŽ πš πšŽπš•πš• πš›πš˜πšžπš—πšπšŽπš πš πš’πšπš‘ πšπš‘πšŽ πšπšžπš•πš• πšœπš™πšŽπšŒπšπš›πšžπš– 𝚘𝚏 πšŽπš–πš˜πšπš’πš˜πš— πšŠπš—πš 𝚒𝚘𝚞 πšŒπšŠπš— πšπšŽπšŽπš• πš’πš πš‘πšŠπšœ 𝚒𝚘𝚞 πš›πšŽπšŠπš. πšƒπš‘πšŽπšœπšŽ πšŠπš›πšŽ πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš›πšœ πšπš‘πšŠπš 𝚒𝚘𝚞 πšŒπšŠπš— πšπš’πš—πš πš’πš˜πšžπš›πšœπšŽπš•πš πš’πš—πšŸπšŽπšœπšπšŽπš πš’πš—. π™·πš˜πš πšŽπšŸπšŽπš›, πš’πš 𝚠𝚊𝚜 𝚊 πš‹πš’πš 𝚘𝚏 𝚊 πšœπš•πš˜πš  πšœπšπšŠπš›πš πšπš˜πš› πš–πšŽ πšŠπš—πš 𝙸 πšŒπšŠπš—'𝚝 πš›πšŽπšŠπš•πš•πš’ πš™πš’πš—πš™πš˜πš’πš—πš πš πš‘πš’.

π™±πš˜πš˜πš” πšπš‘πš›πšŽπšŽ πš’πšœ πš—πšŽπš‘πš πš’πš— πš•πš’πš—πšŽ πšŠπš—πš 𝙸 πšŒπšŠπš—'𝚝 πš πšŠπš’πš 𝚝𝚘 𝚜𝚎𝚎 πš πš‘πšŽπš›πšŽ π™»πš’πšŠ, 𝚁𝚊𝚏𝚎 πšŠπš—πš π™ΊπšŠπšπšŽπš— πšπš’πš—πš πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ. π™²πšŠπš— π™»πš’πšŠ πšπš’πšπš‘πš πšπš‘πš’πšœ πš‹πšŠπšπšπš•πšŽ πš‹πšŽπšπš πšŽπšŽπš— π™Όπš˜πš›πš›πš’πšπš‘πšŠπš— πšŠπš—πš πš…πšŽπš—πšπšŠ? πš†πš‘πšŠπš πš πš’πš•πš• πšπš‘πšŽ πš˜πšžπšπšŒπš˜πš–πšŽ πš‹πšŽ πšπš˜πš› πšŠπš•πš• πš’πš—πšŸπš˜πš•πšŸπšŽπš?


π™Ώπšžπš‹πš•πš’πšœπš‘πšŽπš πš‹πš’: 𝙺

Friday, October 18, 2019

Review: The Kiss of Deception by Mary E. Pearson


πšƒπš‘πšŽ π™Ίπš’πšœπšœ 𝚘𝚏 π™³πšŽπšŒπšŽπš™πšπš’πš˜πš— 
π™±πš’: π™ΌπšŠπš›πš’ 𝙴. π™ΏπšŽπšŠπš›πšœπš˜πš—


πš‚πšŽπš›πš’πšŽπšœ: πšƒπš‘πšŽ πšπšŽπš–πš—πšŠπš—πš π™²πš‘πš›πš˜πš—πš’πšŒπš•πšŽπšœ 
π™ΆπšŽπš—πš›πšŽ: π™΅πšŠπš—πšπšŠπšœπš’, πšˆπš˜πšžπš—πš π™°πšπšžπš•πš 
π™»πšŽπš—πšπšπš‘: 𝟺𝟿𝟸 πš™πšŠπšπšŽπšœ
πš‚πš’πš—πš˜πš™πšœπš’πšœ π™΅πš›πš˜πš– π™Άπš˜πš˜πšπš›πšŽπšŠπšπšœ:

π™Έπš— 𝚊 πšœπš˜πšŒπš’πšŽπšπš’ πšœπšπšŽπšŽπš™πšŽπš πš’πš— πšπš›πšŠπšπš’πšπš’πš˜πš—, π™Ώπš›πš’πš—πšŒπšŽπšœπšœ π™»πš’πšŠ’𝚜 πš•πš’πšπšŽ πšπš˜πš•πš•πš˜πš πšœ 𝚊 πš™πš›πšŽπš˜πš›πšπšŠπš’πš—πšŽπš πšŒπš˜πšžπš›πšœπšŽ. π™°πšœ π™΅πš’πš›πšœπš π™³πšŠπšžπšπš‘πšπšŽπš›, πšœπš‘πšŽ πš’πšœ πšŽπš‘πš™πšŽπšŒπšπšŽπš 𝚝𝚘 πš‘πšŠπšŸπšŽ πšπš‘πšŽ πš›πšŽπšŸπšŽπš›πšŽπš πšπš’πšπš 𝚘𝚏 πšœπš’πšπš‘πš—πš‹πšžπš πšœπš‘πšŽ πšπš˜πšŽπšœπš—’𝚝—πšŠπš—πš πšœπš‘πšŽ πš”πš—πš˜πš πšœ πš‘πšŽπš› πš™πšŠπš›πšŽπš—πšπšœ πšŠπš›πšŽ πš™πšŽπš›πš™πšŽπšπš›πšŠπšπš’πš—πš 𝚊 πšœπš‘πšŠπš– πš πš‘πšŽπš— πšπš‘πšŽπš’ πšŠπš›πš›πšŠπš—πšπšŽ πš‘πšŽπš› πš–πšŠπš›πš›πš’πšŠπšπšŽ 𝚝𝚘 πšœπšŽπšŒπšžπš›πšŽ πšŠπš— πšŠπš•πš•πš’πšŠπš—πšŒπšŽ πš πš’πšπš‘ 𝚊 πš—πšŽπš’πšπš‘πš‹πš˜πš›πš’πš—πš πš”πš’πš—πšπšπš˜πš–—𝚝𝚘 𝚊 πš™πš›πš’πš—πšŒπšŽ πšœπš‘πšŽ πš‘πšŠπšœ πš—πšŽπšŸπšŽπš› πš–πšŽπš.

 π™Ύπš— πšπš‘πšŽ πš–πš˜πš›πš—πš’πš—πš 𝚘𝚏 πš‘πšŽπš› πš πšŽπšπšπš’πš—πš, π™»πš’πšŠ πšπš•πšŽπšŽπšœ 𝚝𝚘 𝚊 πšπš’πšœπšπšŠπš—πš πšŸπš’πš•πš•πšŠπšπšŽ. πš‚πš‘πšŽ πšœπšŽπšπšπš•πšŽπšœ πš’πš—πšπš˜ 𝚊 πš—πšŽπš  πš•πš’πšπšŽ, πš‘πš˜πš™πšŽπšπšžπš• πš πš‘πšŽπš— 𝚝𝚠𝚘 πš–πš’πšœπšπšŽπš›πš’πš˜πšžπšœ πšŠπš—πš πš‘πšŠπš—πšπšœπš˜πš–πšŽ πšœπšπš›πšŠπš—πšπšŽπš›πšœ πšŠπš›πš›πš’πšŸπšŽ—πšŠπš—πš πšžπš—πšŠπš πšŠπš›πšŽ πšπš‘πšŠπš πš˜πš—πšŽ πš’πšœ πšπš‘πšŽ πš“πš’πš•πšπšŽπš πš™πš›πš’πš—πšŒπšŽ πšŠπš—πš πšπš‘πšŽ πš˜πšπš‘πšŽπš› πšŠπš— πšŠπšœπšœπšŠπšœπšœπš’πš— πšœπšŽπš—πš 𝚝𝚘 πš”πš’πš•πš• πš‘πšŽπš›. π™³πšŽπšŒπšŽπš™πšπš’πš˜πš— πšŠπš‹πš˜πšžπš—πšπšœ, πšŠπš—πš π™»πš’πšŠ πšπš’πš—πšπšœ πš‘πšŽπš›πšœπšŽπš•πš πš˜πš— πšπš‘πšŽ πš‹πš›πš’πš—πš” 𝚘𝚏 πšžπš—πš•πš˜πšŒπš”πš’πš—πš πš™πšŽπš›πš’πš•πš˜πšžπšœ πšœπšŽπšŒπš›πšŽπšπšœ—πšŽπšŸπšŽπš— 𝚊𝚜 πšœπš‘πšŽ πšπš’πš—πšπšœ πš‘πšŽπš›πšœπšŽπš•πš πšπšŠπš•πš•πš’πš—πš πš’πš— πš•πš˜πšŸπšŽ.




π™Όπš’ πšπšŽπšŸπš’πšŽπš : 
πšπšŠπšπš’πš—πš:
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***π™²πšŠπšžπšπš’πš˜πš— π™ΌπšŠπš’ π™²πš˜πš—πšπšŠπš’πš— πš‚πš™πš˜πš’πš•πšŽπš›πšœ***

πšƒπš‘πš’πšœ πš‹πš˜πš˜πš” 𝚠𝚊𝚜 𝚊 πš›πšŽ-πš›πšŽπšŠπš πšπš˜πš› πš–πšŽ. 𝙸 πš‘πšŠπš πšπš’πš›πšœπš πš›πšŽπšŠπš πšƒπš‘πšŽ π™Ίπš’πšœπšœ 𝚘𝚏 π™³πšŽπšŒπšŽπš™πšπš’πš˜πš— 𝚊𝚜 πšŠπš— π™°πšπ™² πš πš‘πšŽπš— πš’πš 𝚠𝚊𝚜 πšπš’πš›πšœπš πš›πšŽπš•πšŽπšŠπšœπšŽπš πšŠπš—πš 𝙸 πš•πš˜πšŸπšŽπš πšŽπšŸπšŽπš› πšœπš’πš•πš•πšŠπš‹πš•πšŽ. 𝙸 𝚠𝚊𝚜 πšŒπš˜πš—πšœπšžπš–πšŽπš πš‹πš’ πšπš‘πš’πšœ πš πš˜πš›πš•πš 𝚘𝚏 π™Ίπš’πš—πšπšπš˜πš–πšœ, π™Ώπš›πš’πš—πšŒπšŽπšœπšœπšŽπšœ πšŠπš—πš π™Ώπš›πš’πš—πšŒπšŽπšœ, π™°πšœπšœπšŠπšœπšœπš’πš—'𝚜 πšŠπš—πš π™±πšŠπš›πš‹πšŠπš›πš’πšŠπš—πšœ. 𝙸 𝚠𝚊𝚜 πš‘πš˜πš˜πš”πšŽπš πš˜πš— πšπš‘πšŽ πšŸπšŽπš›πš’ πšπš’πš›πšœπš πš πš˜πš›πšπšœ πšŠπš—πš πš’πš 𝚠𝚊𝚜 πš—πš˜ πšπš’πšπšπšŽπš›πšŽπš—πš πšπš‘πšŽ πšœπšŽπšŒπš˜πš—πš πšπš’πš–πšŽ πšŠπš›πš˜πšžπš—πš.

π™ΌπšŠπš›πš’ 𝙴. π™ΏπšŽπšŠπš›πšœπš˜πš— 𝚠𝚘𝚟𝚎 πšπš˜πšπšŽπšπš‘πšŽπš› 𝚊 πšœπš™πšŽπšŒπšπšŠπšŒπšžπš•πšŠπš› πšœπšπš˜πš›πš’ πšŒπš’πš›πšŒπš•πš’πš—πš πšŠπš›πš˜πšžπš—πš 𝚊 πš™πš›πš’πš—πšŒπšŽπšœπšœ πšŠπš—πš πšπš‘πšŽ πšŒπš‘πš˜πš’πšŒπšŽπšœ πšœπš‘πšŽ πš–πšžπšœπš πš–πšŠπš”πšŽ. πšƒπš‘πšŽ πš πš˜πš›πšπšœ πšžπš—πšπš˜πš•πš πš‹πšŽπšŠπšžπšπš’πšπšžπš•πš•πš’...πšπšŽπšŸπšŽπš•πš˜πš™πš’πš—πš 𝚊 πš πš˜πš›πš•πš πšπš‘πšŠπš 𝚒𝚘𝚞 πšŒπšŠπš— πšœπš’πš—πš” πš’πš—πšπš˜ πšŠπš—πš πšπšŽπšŽπš• 𝚊𝚜 πšπš‘πš˜πšžπšπš‘ πš’πš˜πšžπš› 𝚊 πš™πšŠπš›πš 𝚘𝚏 πšπš‘πšŽ πš–πšŠπš—πš’ πšœπšπš›πšžπšπšπš•πšŽπšœ πšŠπš—πš πšπšŽπšŒπšŽπš™πšπš’πš˜πš—πšœ.

π™Έπš— πšπš‘πšŽ π™Ίπš’πš—πšπšπš˜πš– 𝚘𝚏 π™Όπš˜πš›πš›πš’πšπš‘πšŠπš— πš’πš πš’πšœ π™Ώπš›πš’πš—πšŒπšŽπšœπšœ π™°πš›πšŠπš‹πšŽπš•πš•πšŠ'𝚜 (π™»πš’πšŠ'𝚜) πš πšŽπšπšπš’πš—πš 𝚍𝚊𝚒 πš‹πšžπš π™»πš’πšŠ πš‘πšŠπšœ πš˜πšπš‘πšŽπš› πš™πš•πšŠπš—πšœ πšŠπš—πš πšπš‘πšŽπš’ 𝚍𝚘 πš—πš˜πš πš’πš—πšŸπš˜πš•πšŸπšŽ πšœπš˜πš–πšŽ 𝚜𝚝𝚞𝚏𝚏𝚒 πš˜πš•πš π™Ώπš›πš’πš—πšŒπšŽ. πš†πš’πšπš‘ πšπš‘πšŽ πš‘πšŽπš•πš™ 𝚘𝚏 πš‘πšŽπš› πšπšŽπšŠπš› πšπš›πš’πšŽπš—πš π™ΏπšŠπšžπš•πš’πš—πšŽ πšœπš‘πšŽ πšπš•πšŽπšŠπšœ πšπš‘πšŽ πšŒπšŠπšœπšπš•πšŽ πšŠπš—πš πšŽπš–πš‹πšŠπš›πš”πšœ πš˜πš— 𝚊 πš“πš˜πšžπš›πš—πšŽπš’ 𝚝𝚘 𝚊 πšœπš–πšŠπš•πš• πšŸπš’πš•πš•πšŠπšπšŽ, πšƒπšŽπš›πš›πšŠπšŸπš’πš—. π™»πš’πšŠ πšπš’πš—πšπšœ πš‘πšŠπš™πš™πš’πš—πšŽπšœπšœ πšπš˜πš› πšπš‘πšŽ πšπš’πš›πšœπš πšπš’πš–πšŽ πš’πš— πš‘πšŽπš› πš•πš’πšπšŽ, πš•πš’πšŸπš’πš—πš πšπš‘πšŽ πšœπš’πš–πš™πš•πšŽ πš•πš’πšπšŽ...πš—πš˜ πš πš˜πš›πš›πš’πšŽπšœ πšŠπš‹πš˜πšžπš 𝚊 "πšπš’πšπš" πšπš‘πšŠπš πšœπš‘πšŽ πš–πšŠπš’ πš—πšŽπšŸπšŽπš› πš‘πšŠπšŸπšŽ πš˜πš› πš–πšŠπš›πš›πš’πšŠπšπšŽ. π™½πš˜ πšπšžπšπš’πšŽπšœ πš˜πšπš‘πšŽπš› πšπš‘πšŠπš— πšπš‘πšŽ πšœπš’πš–πš™πš•πšŽ πšπšŠπšœπš”πšœ 𝚘𝚏 𝚊 πšπšŠπšŸπšŽπš›πš— πš–πšŠπš’πš.

“πšƒπš‘πšŽ πšπš›πšžπšπš‘πšœ 𝚘𝚏 πšπš‘πšŽ πš πš˜πš›πš•πš πš πš’πšœπš‘ 𝚝𝚘 πš‹πšŽ πš”πš—πš˜πš πš—, πš‹πšžπš πšπš‘πšŽπš’ πš πš˜πš—’𝚝 πšπš˜πš›πšŒπšŽ πšπš‘πšŽπš–πšœπšŽπš•πšŸπšŽπšœ πšžπš™πš˜πš— 𝚒𝚘𝚞 πšπš‘πšŽ 𝚠𝚊𝚒 πš•πš’πšŽπšœ πš πš’πš•πš•. πšƒπš‘πšŽπš’’πš•πš• πšŒπš˜πšžπš›πš 𝚒𝚘𝚞, πš πš‘πš’πšœπš™πšŽπš› 𝚝𝚘 𝚒𝚘𝚞, πš™πš•πšŠπš’ πš‹πšŽπš‘πš’πš—πš πš’πš˜πšžπš› πšŽπš’πšŽπš•πš’πšπšœ, πšœπš•πš’πš™ πš’πš—πšœπš’πšπšŽ πšŠπš—πš πš πšŠπš›πš– πš’πš˜πšžπš› πš‹πš•πš˜πš˜πš, πšπšŠπš—πšŒπšŽ πšŠπš•πš˜πš—πš πš’πš˜πšžπš› πšœπš™πš’πš—πšŽ πšŠπš—πš πšŒπšŠπš›πšŽπšœπšœ πš’πš˜πšžπš› πš—πšŽπšŒπš” πšžπš—πšπš’πš• πš’πš˜πšžπš› πšπš•πšŽπšœπš‘ πš›πš’πšœπšŽπšœ πš’πš— πš‹πšžπš–πš™πšœ.”

πšƒπš‘πšŽπš— πš˜πš—πšŽ 𝚍𝚊𝚒 𝚝𝚠𝚘 πšœπšπš›πšŠπš—πšπšŽπš›πšœ πšœπšπšžπš‹πš‹πš•πšŽ πš’πš—πšπš˜ πšπš‘πšŽ πšπšŠπšŸπšŽπš›πš— πšŠπš—πš πšŽπšŸπšŽπš›πš’πšπš‘πš’πš—πš πšŒπš‘πšŠπš—πšπšŽπšœ. π™Ύπš—πšŽ πš‘πšŠπš—πšπšœπš˜πš–πšŽ πš πš’πšπš‘ πš‹πš•πš˜πš—πšπšŽ πš‘πšŠπš’πš› πšŠπš—πš πš”πš’πš—πš 𝚎𝚒𝚎𝚜. πšƒπš‘πšŽ πš˜πšπš‘πšŽπš› πšπš’πš•πšπš‘πš’ πšŠπš—πš πš‹πš›πš˜πš˜πšπš’πš—πš, πšŠπš—πšπšŽπš› πš‹πš›πšŽπš πš’πš—πš πš“πšžπšœπš πš‹πšŽπš—πšŽπšŠπšπš‘ πšπš‘πšŽ πšœπšžπš›πšπšŠπšŒπšŽ. π™Ύπš—πšŽ πš’πšœ 𝚊 π™Ώπš›πš’πš—πšŒπšŽ πš’πš— πšπš’πšœπšπšžπš’πšœπšŽ, πš‹πšžπš πš—πš˜πš πš“πšžπšœπš πšŠπš—πš’ π™Ώπš›πš’πš—πšŒπšŽ, πš‘πšŽπš› πš˜πš—πšŒπšŽ πš‹πšŽπšπš›πš˜πšπš‘πšŽπš. πšƒπš‘πšŽ πš˜πšπš‘πšŽπš› πšŠπš— π™°πšœπšœπšŠπšœπšœπš’πš— 𝚜𝚎𝚝 𝚘𝚞𝚝 𝚝𝚘 πšŽπš—πš πš‘πšŽπš› πš•πš’πšπšŽ.

π™΅πš˜πš› 𝚊 πš πš‘πš’πš•πšŽ 𝚠𝚎 πšŠπš›πšŽ πš”πšŽπš™πš πš’πš— πšœπšžπšœπš™πšŽπš—πšœπšŽ 𝚊𝚜 𝚝𝚘 πš πš‘πš˜ πš–πš’πšπš‘πš πš‹πšŽ πš πš‘πš˜ πšŠπš—πš πš˜πš—πšŒπšŽ πšπš‘πšŽπš’πš› πš’πšπšŽπš—πšπš’πšπš’πšŽπšœ πšŠπš›πšŽ πš›πšŽπšŸπšŽπšŠπš•πšŽπš πš’πš πšπšŠπš”πšŽπšœ 𝚒𝚘𝚞 πšŠ πš‹πš’πš πš‹πš’ πšœπšžπš›πš™πš›πš’πšœπšŽ. π™°πš πš˜πšžπš› πšπš’πš›πšœπš πšŽπš—πšŒπš˜πšžπš—πšπšŽπš› 𝚘𝚏 πšπš‘πšŽπšœπšŽ πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš›πšœ, 𝚁𝚊𝚏𝚎 πšŠπš—πš π™ΊπšŠπšπšŽπš— 𝙸 πšπš‘πš˜πšžπšπš‘πš 𝙸 πš‘πšŠπš πšπš‘πšŽπš– πš™πšŽπšπšπšŽπš...πš‹πš˜πš’ 𝚠𝚊𝚜 𝙸 πš πš›πš˜πš—πš.

π™»πš’πšŠ πš’πšœ πšœπšπš›πš˜πš—πš πš πš’πš•πš•πšŽπš πšŠπš—πš πšœπš‘πšŠπš›πš™ πšπš˜πš—πšπšžπšŽπš, πšπšŠπš”πš’πš—πš πšŒπš›πšŠπš™ πšπš›πš˜πš– πš—πš˜ πš˜πš—πšŽ. πš‚πš‘πšŽ πšœπš™πšŽπšŠπš”πšœ πš‘πšŽπš› πš–πš’πš—πš πšŠπš—πš πš™πšžπšπšœ πšžπš™ πššπšžπš’πšπšŽ 𝚊 πšπš’πšπš‘πš πšŠπšπšŠπš’πš—πšœπš πšπš‘πšŽ πš‹πšŠπš›πš‹πšŠπš›πš’πšŠπš—πšœ πšπš‘πšŠπš πš πš’πšœπš” πš‘πšŽπš› 𝚊𝚠𝚊𝚒 πšπš›πš˜πš– πš‘πšŽπš› πšœπš’πš–πš™πš•πšŽ πš•πš’πšπšŽ πš˜πš— 𝚊 πš“πš˜πšžπš›πš—πšŽπš’ 𝚝𝚘 πš…πšŽπš—πšπšŠ, πšπš‘πšŽ πš‹πšŠπš›πš‹πšŠπš›πš’πšŠπš— πš‘πš˜πš–πšŽπš•πšŠπš—πš. πš‚πš‘πšŽ πš–πšŽπšŽπšπšœ πšπš‘πšŽπš– πš‹πš•πš˜πš  πšπš˜πš› πš‹πš•πš˜πš  πš—πšŽπšŸπšŽπš› πš‹πšŠπšŒπš”πš’πš—πš πšπš˜πš πš— πšπš›πš˜πš– πšπš‘πšŽπš’πš› πš’πš—πšœπšžπš•πšπšœ πš˜πš› πšœπš—πš’πšπšŽ πšŒπš˜πš–πš–πšŽπš—πšπšœ. π™·πšŽπš› πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš› πšπšŽπšŸπšŽπš•πš˜πš™πš–πšŽπš—πš πšπš‘πš›πš˜πšžπšπš‘πš˜πšžπš πšπš‘πšŽ πš‹πš˜πš˜πš” πš’πšœ πšœπšπš›πš˜πš—πš πšŠπš—πš πš πšŽπš•πš• πš πš›πš’πšπšπšŽπš—. πš‚πš‘πšŽ πš’πšœ πšπšŽπšπš’πš—πš’πšπšŽπš•πš’ 𝚊 πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš› πšπš‘πšŠπš πš’πš˜πšžπš—πš πšπš’πš›πš•πšœ πšŒπš˜πšžπš•πš πš’πšπš˜πš•πš’πš£πšŽ...𝙸 πš”πš—πš˜πš  𝙸 𝚍𝚘. :)

πšƒπš‘πš’πšœ πš’πšœ πšπšŽπšπš’πš—πš’πšπšŽπš•πš’ 𝚊 πš‹πš˜πš˜πš” 𝙸 πš‘πš’πšπš‘πš•πš’ πš›πšŽπšŒπš˜πš–πš–πšŽπš—πš, πš’πš πš πš’πš•πš• πš‘πšŠπšŸπšŽ 𝚒𝚘𝚞 πšœπšπšŠπš’πš’πš—πš πšžπš™ πš•πšŠπšπšŽ πšπšžπš›πš— πš™πšŠπšπšŽ πšŠπšπšπšŽπš› πš™πšŠπšπšŽ πšŽπšŠπšπšŽπš› 𝚝𝚘 πš”πš—πš˜πš  πš πš‘πšŠπš πš’πšœ 𝚝𝚘 πšŒπš˜πš–πšŽ 𝚘𝚏 π™»πš’πšŠ. π™³πš˜πšŽπšœ πšœπš‘πšŽ πš’πš—πšπšŽπšŽπš πš‘πšŠπšŸπšŽ πšπš‘πšŽ πšπš’πšπš 𝚘𝚏 "πš”πš—πš˜πš πš’πš—πš?" πš†πš‘πš˜ πš πš’πš•πš• πšœπš‘πšŽ πšŒπš‘πš˜πš˜πšœπšŽ πš’πš— πšπš‘πšŽ πšŽπš—πš, πšπšŠπšπšŽ πš˜πš› π™ΊπšŠπšπšŽπš—? πš†πš‘πšŠπš πš πš’πš•πš• πš‹πšŽπšŒπš˜πš–πšŽ 𝚘𝚏 πš‘πšŽπš› πš˜πš—πšŒπšŽ πšœπš‘πšŽ πš›πšŽπšŠπšŒπš‘πšŽπšœ πšπš‘πšŽ πš‹πšŠπš›πš‹πšŠπš›πš’πšŠπš— πšŸπš’πš•πš•πšŠπšπšŽ, πš…πšŽπš—πšπšŠ?

π™±πš˜πš˜πš” 𝚝𝚠𝚘 πš’πšœ πš—πšŽπš‘πš πš’πš— πšπš‘πšŽ πš•πš’πš—πšŽπšžπš™ πšŠπš—πš 𝙸 πšŒπšŠπš—'𝚝 πš πšŠπš’πš 𝚝𝚘 𝚜𝚎𝚎 πš πš‘πšŽπš›πšŽ π™»πš’πšŠ πšŽπš—πšπšœ πšžπš™. πš†πš‘πšŠπš'𝚜 𝚝𝚘 πš‹πšŽπšŒπš˜πš–πšŽ 𝚘𝚏 π™»πš’πšŠ, 𝚁𝚊𝚏𝚎 πšŠπš—πš π™ΊπšŠπšπšŽπš—? πšƒπš‘πšŽπš›πšŽ πš’πšœ 𝚊 πš πšŠπš› πš‹πš›πšŽπš πš’πš—πš πš‹πšžπš πš‹πšŽπšπš πšŽπšŽπš— πš πš‘πš˜? π™°πš—πš πš πš‘πš’?



π™Ώπšžπš‹πš•πš’πšœπš‘πšŽπš πš‹πš’: 𝙺

Friday, October 11, 2019

Review: The Haunting of Hill House by Shirley Jackson


The Haunting of Hill House 
By: Shirley Jackson




Synopsis From Goodreads:

First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, the lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers—and soon it will choose one of them to make its own.



My Review:
Rating:
★★★★


“Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.” 

Up until a year ago I had never heard of Hill House; never read a Shirley Jackson book, but then Netflix aired a show based on this book titled: The Haunting of Hill House and suddenly I was intrigued. I have always been a fan of horror/suspenseful thrillers so of course I went ahead and pressed play. The show had me hooked from the very beginning, a haunting tale to keep you up at night. 

Now I know its unwise to watch a tv/movie adaptation before ever reading the book but I just couldn't help myself. The trailer looked oh so good! 

So its been a few months since I have finished the show and was able to find myself a copy of the book at Walmart this past weekend. The moment I saw it sitting on the shelf I knew I just had to bring it home with me, it was time to compare. 


The Haunting of Hill House had me enthralled from the very beginning. Shirley Jackson brought Hill House to life in such a terrifyingly chilling way, I was on the edge of my seat. Turning page after page, needing to know how it would end. 

The Netflix show did make some pretty major changes to the story of Hill House. For one thing, the show centers around a family and their experiences while living at Hill House, where as the book focuses on Dr. Montague and his assistants; Luke, Eleanor and Theodora. The doctor brings together this small group of strangers in hopes of discovering and studying the psychic phenomenon at Hill House. 

Many strange and unexplainable things occur during their stay at Hill House. An eerie cold that finds you in the night. And let's not forget the dusty old nursery, with a spooky presence. Something in the house is calling out to them... will Hill House claim it's victim? Will it bring them "home?"

I must say the book had its spooky elements sprinkled throughout and kept me captivated from the very beginning. I enjoyed comparing both TV show and book, seeing the similarities and differences. While the book was great and I truly did enjoy the story, I found the show a bit more appealing....but then that may simply be because I started there first. 

While there were many changes to the story for the TV adaptation I agree with the route they took and understand the changes they made. The book had so many avenues that could have been explored but keeping to those four central characters stuck in Hill House I feel the material may have ended up lacking. 

That being said, I did still enjoy the book very much. It gave a different spin on a show that I throughly enjoyed and could watch over and over again. It's definitely a book I would recommend, especially if you are looking for something a bit spooky. 



Published by: K

Wednesday, October 2, 2019

Review: Dreams of Gods and Monsters by Laini Taylor


Dreams of Gods and Monsters

By: Laini Taylor

Series: Daughter of Smoke and Bone Trilogy
Genre: Young Adult, Fantasy, Romance
Length: 613 pages
Synopsis From Goodreads:

Two worlds are poised on the brink of a vicious war. By way of a staggering deception, Karou has taken control of the chimaera's rebellion and is intent on steering its course away from dead-end vengeance. The future rests on her.

When the brutal angel emperor brings his army to the human world, Karou and Akiva are finally reunited - not in love, but in a tentative alliance against their common enemy. It is a twisted version of their long-ago dream, and they begin to hope that it might forge a way forward for their people. And, perhaps, for themselves.

But with even bigger threats on the horizon, are Karou and Akiva strong enough to stand among the gods and monsters?

The New York Times bestselling Daughter of Smoke & Bone trilogy comes to a stunning conclusion as - from the streets of Rome to the caves of the Kirin and beyond - humans, chimaera, and seraphim strive, love, and die in an epic theater that transcends good and evil, right and wrong, friend and enemy.



My Review:
Rating:


***Caution May Contain Spoilers***

The time has come to say goodbye to Eretz and the magnificent character we found there. Laini Taylor worked her magic one last time in Dreams of Gods and Monsters transporting us into a realm with angels and devils preparing to go into battle and give the fight of their life. 

“Once upon a time, an angel and a devil pressed their hands to their hearts and started the apocalypse.” 

I must be honest that when I first delved into this trilogy all those months ago I was hesitant and worried that I would be among the minority of people that downright hated these books. Daughter of Smoke and Bone was slow at the start and took some getting used to when it came to writing style, but has I ventured forward with Karou and her many mysteries I found myself completely engrossed. 

Dreams of Gods and Monsters brings you to the final showdown, Karou and Akiva have quite the struggle ahead bringing together the Chimaera and the Misbegotten, once mortal enemies. But the time has come to unite as one to face off against the villainous Emperor hell-bent on destroying Eretz and the mysterious Seraphim known as the Stelians. Can Karou and Akiva accomplish the unthinkable?

Thankfully they are not alone in the efforts they have their allies; Ziri, Liraz, Issa, Zuzana and Mik along for the ride prepared to help unite these two clans. Along the way Ziri and Liraz find a fondness for one another that Liraz believed she was incapable of feeling. After a near death experience her eyes are open to the beauty of the Chimaera race. 

Then there are the humans that have been thrust into the world of angels and devils, discovered magic and experienced loss; Zuzana and Mik. Karou's best friends from the human world have come to love the Chimaera has if they were of the same blood and are determined to help save Eretz at any cost. Plus there is no way Zuzana is leaving Karou to fight this battle alone. 

Dreams of Gods and Monsters, the final book in this beautiful trilogy was just has captivating as the first two. So much detail went into writing the story of Karou and Akiva, their struggles and their triumphs. Laini Taylor truly has a way with words and brings to life such an astonishing world of gods and monsters. Every word follows into the next like the loops in a perfectly woven scarf, the ebb and flow of words so magical that you felt transported into the world of Eretz right along with these characters. 

It's bittersweet to say goodbye to a story as epic as this one, but in the end there were happy endings and misguided sadness. Your left with hope for the future of the Chimaera and Seraphim, and hope for Karou and Akiva. Never-ending hope for all! 


Published by: K